Brown defends the unity of meaning and form. In the article «Standards of Taste» (1806) Brown states that the meaning gives dignity an dweight to the worle not a form. He says that 6he form without meaning looks like a nut without kernel; it diappoints. Brown was the first in American literature to speak about literary critics tobe a science. Brown states that literature hasthe task to enlishten people and it snould serve social aims. He made an invention= discovery the reason of unhappines of a mans roots in (is founded on) not on his nature, but its reason is in social institutions.

Brown's easthetics prepared the appearance ofromanticism.

On Browns road went Hawthorne, Edgar Poeand Lippard. The narration is made on the name of Clara Wieland - the heroes (Theodore's) sister. The next novel is «Ormond» («Ормонд «, 1799) in this novel the author makes one more step in the owning with American material. Stephen Dadleya New Yorkdruggist is honest and kind=well disposed. He is ruined by his adroitand inscrupulous impudent apprentice. Crais and to whom his drugstorepassed. To support his family Dadley becomes a clerk in a law.

Ormond is Dadley's acquantance, Whoseves Dadley's from hanger daeth. But later it turns out that the young man is a villain scoundrel. Ormond's aim is to seduce =pervert Coustance. It was he who made Stephen Dadley poor using Craig as a wqeapon. Ormond had already enticed one girl. His next saerife became Constance. The real hero of the novel is Constance.

A month later Browns next novel «Arthur Mervin» appeared «Edgar Huntley, or Memoirs of the Sleep - Walker» aws published in July1799.

«Clara Howard» (1800) and «Jane Tacbot» (1801) are novels which have happy end.

General Characteristics of American Romanticism

Romanticism, transcendentalism and abolitionists writers reflected complex, contradictory pictures of the first half of the XIX century development of American society. They leaned upon the aesthetics of Romanticism, which was the leading literary school of those years. Appearance in America was inevitable historically as well as in European literatures. American romanticism had the same historical precondition and it rested on the same aesthetically basic and methods as European romanticism. American romanticism sprang up on the soil of the American revolution of 1775-1783 by some of the results. The principles of life, liberty and the pursuit of happiness declared in the Declaration of Independence came to a contradiction with social and economic structure, which secured freedom & happiness of only rich owners.

Humdrum the life of the American middle class society spurned the writers with its prisms, dry practicality & narrow - mindedness of approach. The romanticists tried to contradict such prisms in either the life of the Indians, which had not yet been defined with capitalist civilization, or the Reich of romantic dreams of higher & more reasonable system.

In this way, there sprang up, peculiar to the aesthetics of romanticism, contradictions between the dreams & reality. For the romanticists it was characteristic to the material worried, in aspiring to contradict reality with abstract ideals. Romanticists sought their ideals outside real life, in the realism of dreams, because they couldn't their ideals in the images taken from reality. Rejestiny the unattractive middle class worlds the romanticists imposed an invented world through their dreams. They also fried to depict real life, but the peculiarity of their creative methods defined the specific character and its reflection.

Events & stages in the romanticists works rise above the pettiness of every day life. The prosaic middle class is put against high romantic natures & every day practical interests as opposed to the struggle of mighty passions. Creation of fantastic characters who act in fantastic, imaginary situations - such were the methods of romantically typification & American romantic literature is not an exception to this. Romanticists consciously digressed from the ordinary, from the conditions of every day life, from every day concrete definition. In their artistic generalization, they were attracted by the symbolic & allegorical. Hidden & incomprehensible for romanticists were the reasons of social phenomena.

All the same, romanticism was a step forward in the development of literature. The romanticists widened the notion about life & deepened the understanding of life. They approached beauty of nature in a new fashion & they revealed deeply emotional perceptions of social existence.

The main achievement of romanticism was a steady attention to the inner world of man, to his spiritual life. The romanticists opposed the cult of sense, the cult of human passions, preferring enlightenment cult of realism. Thanks to it, they were able to express their protest against the suppression of the personality & to expose the complexity of people's spiritual life at the beginning of the XIX century.

Together with European romanticists, American writers of this direction widened the borders of world of knowledge for people of those days.

American romanticism had to understand a new, very contradictory & intricate world dying & being born again to understand new human interrelations, to refuse the settled & to dealer new criteria. It was extremely difficult. The romanticists were distressed, they sought, they foresaw. They were delighted with life. They struggled for the best, they appreciated the resent past & present, then created the images of indomitable heroes & rebels, who were full of high passion such as: recalcitrance, anger & the thirst for justice.

All romanticist theories glorified the individualistic ideal of human behavior, but none of them explained individualism with regularities of social development. This differentiates romanticism from realism.

Romanticism is an effective method of artistic mastery the assimilation of reality without which the process of the aesthetic development of any nation world not is full.

Romanticists went from the life of an individual to the life of the country, not paying attention to social groups, layers or classes.

American romanticists did not have a single ideological program, which they could defend in their works. Besides the transdentalists' club, there was no romanticists' group, schools or trends. Washington Irving was alone in his Anglo - American position as «a intermediary» between Europe & America. Nathaniel Hawthorn was also single in his fight against Puritanism. Edgar Allow Poe was in literary & social isolation. Herman Mellville's name was crossed out from literature when he still was alive. Yes!

But =Yet all of them were united in their protest against middle class morals, policy & aesthetical estimation, in their customs.

The sharpness of real contradictions determines the strife of romanticists to abstract & to oppose «the beautiful with the ugly» & «good with evil». Positive is raised & negative is lowered. That is whelp in the creative methods of romanticists contrasting engage much place, we can notice the melioration for the exceptional & unique & the titanium of amigos & underlined hyperbole in the description of natural elements.

Romanticists introduce dramatic conflicts with mysteries & «fatal» chance - fortuity; the plot acquires of adventurous heralds, the intrigue is intricate, the hero's have sudden turns & troubles.

The heroes have a lot of obstacles. The events develop dynamic & the conclusion almost unexpected.

The idea of national originality & the idea of national character are typical for American romanticists. It was the American romanticists who raised the flag for Independent American literature not dependent upon European literature. They became the creators of the national literature of their mother country; they became the historians of the past & the judges of their present. This function will be inherited by the literature of a later deeded - of the critical realism.

Each of the romanticists tried to find his ideal outside the middle class surroundings & middle class practices & with it underlining antipoetic character of the «mercenary word».

Washington Irving searched the ideal in the patriarchal surrounding of the colonists of the XVIII century & he created a poetical image of «old worldly» America; Fenimore Cooper & Herman Melville considered the ideal the free life of uncivilized nations of the islands of the Pacific or the Indians; S. Judd & I. Hippard searched for support in Christian socialism.

Edgar Allan Poe (1809-1849)

Edgar Allan Poe is certainly one of the best known and most popular of American writers. His stories are read by children, probed with the tools of psychoanalysis by critics, and transformed into films. His poems, notably «The Raven», «To Helen» and «Annable Lee», are widely anthologized. And his critical notion that a poem should be readable in a single sitting so as not to mute its single effect is a familiar critical principle. More importantly, Poe's poetic theories, outlined in such pieces as «The Poetic Principle», «The Rationale of Verse» and «The Philosophy of Composition, had a profound influence on the French symbolist movement.

Before he became a famous poet and short - storey writer, Poe was known as a journalist and magazine editor. He wrote numerous reviews about works now forgotten while producing his own memerable tales and poems. And though he never realized his dream of founding a literary magazine of his own, be contributed to many, including those he edited. Aa a writer for popular periodicals like the «Broadway Journals» and Graham's «Lady's and Gentleman's Magazine», and as an editor of literary periodicalssuch as the «Southern Literary Messenger» Poe came to understand very well the audiences who read his work. He aimed his work, as he wrote, «not above the popular, or below the critical, taste» turning the fictional conventions of his own time to odd account. In tales such as «Ligeia» and «The Fall of the House of Usher», for example he put his personal stamp on the gothic horror story. He remodeled the tale of exploration in works like «A Descent into theMaelstorm», and he developed the genre of the detective story, or «tale of racionation» as he called it, with such stories as «The Gold Bug», «The Murders in the Rue Morgue», and «The Purlioned Letter». Still another genre he touched on was science fiction with his fantastic story» The Balloon Hoax». As various as was Poe's genius and as varied as were the fictional subgenres he worked in, one element of his work remains consistent: his concern with the workings of the human mind.

Writers as diverse as Bandelaire and Dostoevsky admired Poe's work. Bandelaire, who translated many of Poe's tales, in fact, acknowledged Poe's influence by writing that if Poe hadn't existed Bandelaire would have had to invent him. Dostoevsky was unstiuting in his praise of Poe's revelations of minds at war with thenselves. Although Dostoevsky's own explorations of extreme states of consciosness and his dramatic depictions of behavior honed by guilt are more ambitious and monumental than Poe's sketches and tales, the Russian writer felt a kindship with Poe.

Poe's life was as tormented as the minds of his stories narrators. He was born to itinerant actors in Boston. His father died when he was a year old and his mother a year later. Edgar was and his brother and sister were taken as foster children into the Rome of a Richmond tobacco merchant, John Allan. Poe was educated in England and at the University of Vifginia, where he was provided with insafficient funds for food, books, and clothing by John Allan. Living among wealthy young men, Poe resorted to gambling, wich further worsened his financial situation and contributed what was an already seriously strained relationship with his foster father, who disapproved of his literary ambitions. The upshot was that Poe withdrew from the university and was left to make his own way as an author.

In 1837 he moned his familyfrom Baltimore to New York, where he published his only full-length fictional work, «The Narrative of Arthur Gordon Pym». In 1840 he published his «Tales of the Grotesqu and Arabesque» (1840). Poe borrowed the terms «grotesque» and «arabesque» from the Romantic poet and novelist Sir Walter Scott, and meant them to suggest the terror associated with the bizarre and the beautiful associated with the poetic. He also meant to suggest that both elements were present in many stories in his collection.

«The Fall of the House of Usher» is among Poe's most famous and most accomplished tales. The house that falls is both the literal Usher habitation and the family it signifies. The house also represents the mind of Roderick Usher. In its density of detail, bizarre events, and uncanny tone, the story suggest gothic fiction. In its psychological richness and fainted family history, it reaches back to Greek tragedy.

«The Cask of Amontillado» examplifies Poe's genius at displaying a mad narrator whose intent is to convince his listeners of his sanity. Perhaps Poe's best - known example of this type is the narrator of «The Tell - Tale Heart». But «The Cask of Amontilado» is an even richer story, with Poe pulling out all the stops in displaying multiple ironies while his narrator fels compelled to tell somebody of the perfect murder he committed fifty years before. The question is why he tells this tale after so many years.

In «The Purloined Letter» Poe gives way to his bent for stories of crime and punishment, this time from the outside point of view of the detective rather than from inside the criminals mind. Rather than considering what he would have done in like circumstances, the detective, Monsieur Dupin, must try to think the way the criminal thought, which is precisely what he does en route to to solving the case. The story celebrates Poe's appreciation of the rational mind and contains a number of examples of riddles and games in which Poe delighted. It also ends with an elaborate puzzle built on a complex literary allusion, which contains the key Poe uses to unlock the inticacies of the story's plot.

Poe's fictional performances delighted audience in his own time continue to engage and intrigue readers today. Even though his style is ornate and his language far from colloquial, he remains a most readable writer, largely because he builds suspense, creates atmosphere, and probes the psychological complexities of his characters' minds and hearts. If it is the horror of his stories that first draws readers in, it is Poe's psychological richness and his control of tone that continue to bring them back for repeated readings of some inmatchable stories.

The Transcendentalists

Страницы: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12