The definition on p. 224 states that synonyms possess one or more identical or nearly identical meanings. To realize the significance of this, one must bear in mind that the majority of frequent words are polysemantic, and that it is precisely the frequent words that have many synonyms. The result is that one and the same word may belong in its various meanings to several different synonymic groups. The verb appear in ...an old brown cat without a tail appeared from nowhere (MANSFIELD) Jespersen ,Otto. Growth and Structure of the English Language. Oxford, 1982 pp.246-249 is synonymous with come into sight, emerge. On the other hand, when Gr. Greene depicts the far-off figures of the parachutists who ...appeared stationary, appeared is synonymous with look or seem, their common component being `give the impression of. Appear, then, often applies to erroneous impressions.
Compare the following .groups synonymous to five different meanings of the adjective fresh, as revealed by characteristic contexts: To begin a fresh paragraph--fresh:: another :: different :: new.
Fresh air -- fresh:: pure :: invigorating.
A freshman --fresh:: inexperienced :: green :: raw.
To be fresh with smb --fresh:: impertinent :: rude.
The semantic structures of two polysemantic words sometimes coincide in more than one meaning, but never completely.
Synonyms may also differ in emotional coloring which may be present in one element of the group and absent in all or some of the others. Lonely as compared with alone is emotional as is easily seen from the following examples: ...a very lonely boy lost between them and aware at ten that his mother had no interest in him, and that his father was a stranger. (ALDEIDGE) Shall be alone as my secretary doesn't come to-day (M. DICKENS). Both words denote being apart from others, but lonely besides the general meaning implies longing for company, feeling sad because of the lack of sympathy and companionship. Alone does not necessarily suggest any sadness at being by oneself.
If the difference in the meaning of synonyms concerns the notion or the emotion expressed, as was the case in the groups discussed above, the synonyms are classed as ideographic synonyms, and the opposition created in contrasting them may be called an ideographic opposition. The opposition is formulated with the help of a clear definitive statement of the semantic component present in all the members of the group. The analysis proceeds as a definition by comparison with the standard that is thus settled. “It is not enough to tell something about each word. The thing to tell is how each word is related to others in this particular group.” 3 The establishment of differential features proves very helpful, whereas sliding from one synonym to another with no definite point of departure creates a haphazard approach with no chance of tracing the system. In analyzing the group consisting of the words glance n, look n and glimpse n we state that all three denote a conscious and direct endeavor to see, the distinctive feature is based on the time and quickness of the action. A glance is `a look which is quick and sudden' and a glimpse is quicker still, implying only momentary sight.
In a stylistic opposition of synonyms the basis of comparison is again the denotational meaning and the distinctive feature is the presence or absence of a stylistic coloring which may also be accompanied a difference in emotional coloring.
It has become quite a tradition with linguists : when discussing synonyms to quote a passage from “As You Like It” (Act V, Scene I) to illustrate the social differentiation of vocabulary and the stylistic relationship existing1 in the English language between simple, mostly native, words and their dignified and elaborate synonyms borrowed from the French. We shall keep to this time-honored convention, Speaking to a country fellow William, the jester Touchstone says: Therefore, you clown, abandon, -- which is in the vulgar leave, -- the society, -- which in the boorish is company, -- of this female, -- which in the common is woman; which together is abandon the society of this female, or, clown, thou perishes t; or to thy better understanding diets; or, to wit, I kill thee, make thee away, translate thy life into death.
The general effect of poetic or learned .synonyms when used in prose or in everyday speech is that of creating alit elevated tone. The point may be proved by the very first example in this chapter (see p. 223) Smirnitsky A.I. Synonyms in English M.1977 pp.57-59,89-90 where the poetic and archaic verb slays is-substituted for the neutral kill. We must be on our guard too against the idea that the stylistic effect may exist without influencing the meaning: in fact it never does. The verb slay not only lends to the whole a poetical and solemn ring, it also shows the writer's and his hero's attitude to the fact, their horror and repugnance of war and their feeling for its victims.
The phrases they are killed, they are slain, they are made away with may refer to the same event hut they are different ill meaning, in so far as they reveal a different attitude to the subject in question on the part of the speaker.
The study of synonyms is a borderline province between semantics and stylistics on the one hand and semantics arid phraseology on the other because of the synonymic collocations serving as_ a means of emphasis. The following example from “A Taste of Honey”, j remarkable for the truthfulness of its dialogue, shows how they are used in modern speech;
Helen: ...”The devil looks after his own,” - they say.
2.2 DISTRIBUTION FEATURES OF THE ENGLISH SYNONYMS
Synonymic pairs like wear and tear are very numerous in modern English and often used both in everyday speech and in literature. They show all the typical features of idiomatic phrases that ensure their memorable ness such as rhythm, alliteration, rhyme and the use of archaic words seldom occurring elsewhere.
The examples are numerous: hale and hearty, with might and main, nevertheless and notwithstanding, modes and manners, stress and strain, rack and ruin, really and truly, hue and cry, wane and pale, without let or hindrance, act and deed. There are many others which show neither rhyme nor alliteration, and consist of two words equally modern. They are pleonastic, i. e. they emphasize the idea by just stating it twice, and possess a certain rhythmical quality which probably enhances their unity and makes them easily remembered. These are: by leaps and bounds, to pick and choose, pure and simple, stuff and nonsense, bright and shining, far and away, proud and haughty and many more.
In a great number of cases the semantic difference between two OP more synonyms is supported by the difference in valence. Distributional oppositions between synonyms have never been studied systematically, although the amount of data collected is very impressive. The difference in distribution maybe syntactical, morphological, lexical, and surely deserves more attention than has been so far given to it. It is, for instance, known that bare in reference to persons is used only predicatively while naked occurs both predicatively and attributively. The same is true about alone, which, irrespectively of referent, is used only predicatively, whereas its synonyms solitary and lonely occur in both functions. The function is predicative in the following sentence: you are idle, be not solitary, if you are solitary be not idle. (s. JOHNSON) Akhmanova O.S. Lexicology: Theory and Method. M. 1972 pp. 59-66 It has been repeatedly mentioned that begin and commence differ stylistically, ft must be noted, however, that their distributional difference is not less important. Begin is generalized in its lexical meaning and becomes a semi-auxiliary when used with an infinitive. It follows naturally that begin and not commence is the right word before an infinitive even in formal style. Seem and appear may be followed by an infinitive or a that-claw. see whereas look which is stylistically equivalent to them is never used in these constructions. Aware and conscious are followed either by an o/-phrase or by a subordinate clause, e. g. to be aware of one's failure, to be aware that one's failure is inevitable. Their synonym sensible is preferably used with an o/-phrase.
Very often the distributional difference between synonyms concerns the use of prepositions: e. g. to answer a question, but to reply to a question. The adjectives anxious and uneasy are followed by the preposition about, their synonym concerned permits a choice and is variously combined with about, at, for, with. The misuse of prepositions is one of the most common mistakes not only with foreigners but with native speakers as well.
Lexical difference in distribution is based on the difference in valence. An example of this is offered by the verbs win and gain. Both may be used in combination with the noun victory: to win a victory, to gain a victory. But with the word war only win is possible: to win a war. We are here trespassing on the domain of set expressions, a problem that has already been treated in an earlier chapter. Here it will suffice to point out that the phraseological combining possibilities of words are extremely varied.
It has been repeatedly stated that synonyms cannot be substituted into set expressions; as a general rule each synonym has its own peculiarities of phraseological connections. The statement is only approximately correct. A. V. Koenig has shown that set expressions have special properties as regards synonymy, different from those observed in free phrases. l Some set expressions may vary in their lexical components without changing their meaning, e. g. cast (fling or throw] smth in smb's. teeth. Moreover, the meaning may remain unchanged even if the interchangeable components are not synonymous: to hang on by one's eyelashes (eyelids, eyebrows),-to bear or show a resemblance. The nouns glance, look and glimpse are indiscriminately used with the verbs give and have: to give a look (a glance, a glimpse), to have a look (a glance, a glimpse). With (he verbs “cast arid take the word glimpse is not used, so that only the expressions to cast a glance (a look) or to take a glance (a look) are possible. With the verbs steal, shoot, throw the combining possibilities are further restricted, so that only the noun glance will occur in combination with these. It goes without saying that phraseological interchangeability is not frequent.
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